By Katharine Leonarder
I should probably start this entry with a rather embarrassing admission, I know nothing about music. To me the sounds of Taylor Swift are on the same technical scale as those of the Basel Symphony Orchestra. So it was with some trepidation that I agreed to read For the sake of a song: wangga songmen and their repertories and write this blog. Surprisingly enough I found myself enjoying the detailed descriptions of wangga music, even down to the meticulously documented notations of tempo, rhythm and structure, which – I might add – were written in such I way that even I managed to understand them.